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- <text id=90TT0879>
- <title>
- Apr. 09, 1990: Star Of His Own Dubious Epic
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Apr. 09, 1990 America's Changing Colors
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BUSINESS, Page 63
- Star of His Own Dubious Epic
- </hdr>
- <body>
- <p>Dino's bombs keep clobbering investors, but he just won't quit
- </p>
- <p>By Richard Behar
- </p>
- <p> With cinematic flourish, Dino De Laurentiis would jump up
- from his plate of spaghetti at the boardroom table, wave his
- cook aside and bolt into the company's kitchen. Nobody, he told
- his guests, could make cappuccino like the maestro himself! As
- he spoke, Hollywood's flashiest independent producer would
- secretly hit the "start" button on an ordinary cappuccino
- machine. He would then present his charmed visitors with
- cupfuls of "Dino's special cappuccino--the best!"
- </p>
- <p> That was a vintage De Laurentiis performance from the
- mid-1980s, when bankers and investors were enthralled with the
- gruff-talking miniature (5-ft. 4-in.) movie mogul. De
- Laurentiis proceeded to lose nearly $200 million of their money
- in a grandiose and allegedly fraudulent attempt to build an
- entertainment empire. By 1988, after producing two dozen
- money-losing pictures in two years, De Laurentiis Entertainment
- Group filed for Chapter 11 bankruptcy.
- </p>
- <p> Yet De Laurentiis' ability to dazzle and deal is scarcely
- diminished. In February the 70-year-old legend rose from the
- tar pits of defeat and litigation to form another company, Dino
- De Laurentiis Communications, with the financial backing of his
- friend Giancarlo Parretti, the controversial Italian moneyman
- who also plans to buy MGM/UA for $1.2 billion. Dino's planned
- renaissance will begin with five films and a $67 million
- budget.
- </p>
- <p> De Laurentiis now faces enough doubters to populate a
- biblical epic. Most of the independent film companies that a
- bullish Wall Street took public in the mid-1980s--Cannon,
- Vestron, New World, Kings Road--have either passed into
- bankruptcy or deep financial trouble. But none have burned
- through as much money in so short a time--without even a near
- hit--as De Laurentiis. Worse still, few if any ventures
- contained such a web of insider-enriching transactions.
- Stockholders of DEG, who saw their shares plummet from a peak
- of $19 to less than 40 cents, have responded with fiery
- class-action lawsuits. At the same time, DEG is suing De
- Laurentiis for $50 million, accusing its founder of fraud,
- misrepresentation and self-dealing.
- </p>
- <p> In a 500-film career that spans half a century, the
- Italian-born De Laurentiis produced a handful of successes that
- include the Fellini-directed La Strada (1954), Serpico (1974),
- King Kong (1976) and Conan the Barbarian (1982). But the hits
- have been overshadowed by hundreds of commercial duds, most
- notably the $50 million sci-fi film Dune, a 1984 mega-flop that
- helped send Dino down the chute.
- </p>
- <p> When he pitched DEG to investors, De Laurentiis promised he
- would make careful, modestly budgeted pictures. Yet once
- ensconced at DEG, he refused to share decision-making authority
- and showed a knack for picking up screenplays that other
- studios had wisely spurned. For an Old World producer
- accustomed to making budget-busting epics, the studio's
- ambitious production slate of twelve to 20 films a year was a
- script for disaster. One project, the 1986 film Tai-Pan, cost
- </p>
- <p> The aging filmmaker ran DEG like a private fiefdom,
- showering his family members and girlfriend with six-figure
- salaries or distribution deals. "So much money passed through
- that building, and I don't know where it all went," says Gary
- DeVore, DEG's former head of production. "I was one of the
- highest-placed executives and I didn't even know about the
- deals with Dino's family."
- </p>
- <p> Even fewer people were aware of the myriad deals Dino had
- concocted for himself. Case in point: De Laurentiis sold the
- rights to the sequel King Kong Lives to DEG for $21 million
- shortly before it opened in 1986. When the picture died on
- impact (estimated receipts: $2 million), De Laurentiis tried
- to compensate by giving DEG the rights to even more dubious
- films, some of which hadn't been made yet.
- </p>
- <p> De Laurentiis, who left DEG under pressure in 1988, is now
- struggling to quash the firm's case against him. Carolco
- Pictures, which has agreed to buy DEG's assets for $39 million,
- aims to pursue the charges. De Laurentiis has struck back with
- a dubious list of $79 million in claims against the company.
- The producer has blamed everyone but himself for DEG's woes,
- a version that doesn't play well with Hollywood insiders. "Dino
- was clearly, unequivocably, unquestionably responsible for what
- happened to this company," says Stephen Greenwald, DEG's former
- chairman. "His attempts to evade that responsibility are
- reprehensible and ludicrous." Greenwald says that De Laurentiis
- refused to resign unless he received a package of deals worth
- $110 million. He soon settled for $280,000.
- </p>
- <p> De Laurentiis now lives the life of a much younger mogul.
- This week he plans to marry his girlfriend, now 35 and pregnant
- with their second child. Despite DEG's bankruptcy, the couple
- dwells in a Beverly Hills mansion complete with household staff
- and, at last count, two Rolls-Royces. And De Laurentiis is
- pursuing his new films with youthful ebullience. "The world
- hasn't seen the end of Dino," says MCA president Sidney
- Sheinberg. "Showmen sometimes miss the pulse of the public, but
- they generally don't die and disappear."
- </p>
- <p> Since Hollywood has such a short memory, a big hit in 1990
- could turn De Laurentiis into the comeback kid. His first
- contender is a $19 million remake of Desperate Hours, the 1955
- Humphrey Bogart classic. One ominous sign: the film's director
- is Michael Cimino, the noted flopmeister, and its star is
- Mickey Rourke, no big draw. Uh-oh: Has Dino done it again? The
- title of another forthcoming De Laurentiis production seems to
- convey his message to anyone who doubts his sheer chutzpah and
- tenacity: Over My Dead Body.
- </p>
-
- </body>
- </article>
- </text>
-
-